George II Antique Silver Chamberstick by Paul de Lamerie
Maker: Paul de Lamerie
An excellent antique silver chamberstick (sometimes known as a go to bed) by this important and sought after Huguenot silversmith....
An excellent antique silver chamberstick (sometimes known as a go to bed) by this important and sought after Huguenot silversmith. Solid design and excellent heavy gauge silver as you’d expect from this date.
Weight 270 grams, 8.6 troy ounces.
Diameter 13.9cm. Spread 16cm. Height 6.2cm.
Maker Paul de Lamerie.
Marks. Stamped underneath with a full set of English silver hallmarks.
Literature. Silver chambersticks first made an appearance in the 17th century and early examples are now very hard to find. Originally they were made in sets as a household would need many chambersticks. They were used for lighting the way to bed and because of the movement created when they were carried about they needed a large drip pan to catch the wax. The earliest examples have straight handles (first flat, then tubular) which were superseded in the first part of the 18th century by a ring handle. Gradually the design evolved and from the mid 18th century onwards they usually had a matching conical snuffer although from about 1790 onwards some were made with an aperture at the base of the stem to take a pair of scissor snuffers.
This early English silver chamberstick is in very good condition. Very heavy quality and superb colour.
Maker: Paul de Lamerie
Paul de Lamerie (9 April 1688–1 August 1751). The Victorian and Albert Museum describes him as the "greatest silversmith working in England in the 18th century". Born in Bois-le-Duc, his French Huguenot family chose to follow William of Orange to England during the Glorious Revolution. In August 1703, de Lamerie became the apprentice to a London goldsmith of Huguenot origin, Pierre Platel (1659-1739). De Lamerie opened his own workshop in 1713 (1st mark "LA" - Britannia mark) and was appointed goldsmith to George I in 1716. 2nd mark 1733 - sterling mark). He worked in partnership with Ellis Gamble - formerly apprentice to Master William Hogarth- between 1723 and 1728. His early work is in the simple Queen Anne style, following classical French models, but de Lamerie is noted for his elaborate rococo style of the 1730s, particularly the richly-decorated works of an unidentified craftsman, the Maynard Master. Leaving his first premises in Great Windmill Street he moved to 40 Gerrard Street in 1738. Here he lived and probably had his shop, his workshops being located in one of the 48 properties he owned in the area. His customers included Tsarinas Anna and Catherine, Count Aleksey, Sir Robert Walpole, Benjamin Mildmay (Earl Fitzwalter and Viscount Harwich), the Earl of Ilchester, the Earl of Thanet, Viscount Tyrconnell, the Duke of Bedford, and other members of the English aristocracy. He also worked for King George V of Portugal. One of his productions to the Portuguese Court was a huge solid silver bath tub lost in the great 1755 Lisbon earthquake. A two-handled silver cup and cover by Paul de Lamerie, dated 1720, was among the wedding gifts of Queen Elizabeth II. Paul de Lamerie ranks as one of the stars of England’s finest period of silver. He was the most prolific silversmith of his time and his fame still lives on today.
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