Description

A pair of superb quality silver salt cellars by the world famous English silversmith Paul Storr. Excellent quality and good gauge silver as you’d expect from this sought after maker. Each rococo sea shell is supported on three conch shell feet and has the original bright gilt interior. Hand engraved to the front is a crest of a hand clutching a dagger.

Total weight 255 grams, 8.1 troy ounces.
Height 5cm. Top measures 10x9cm.
London 1830.
Maker Paul Storr.
Sterling silver.
19th century.

Marks. Both are stamped with a full and matching set of English silver hallmarks.

Literature: The use of salt cellars is documented as early as classical Rome. During medieval times elaborate master salt cellars evolved which had not only a practical use but above all, a ceremonial importance, indicating the relative status of persons by their position at the table in relation to the large salt.
By 1600 the trencher salt was in use in England, replaced during the late 1730s by the more traditional circular salt standing on 3 legs. This shape remained popular until the late 18th century when the advent of the Industrial Revolution rendered both salt and salt cellars commonplace. From this time onwards silver salts were produced in a variety of forms, some with blue glass liners, and had become commonplace on the English dining table.

These rare silver salts are in very good condition with no restoration. Good patina. Original hand engraved crests. Fully stamped on the side with clear and matching English silver hallmarks. Fully functional and original.

Maker: Paul Storr

Paul Storr (28 October 1770 – 18 March 1844 ), was one of the most talented silversmiths of the late Georgian period. Today his legacy of exceptionally well crafted silver can be found worldwide in museums and private collections. Son of Thomas Storr, a silver chaser, apprenticed 1785 to Andrew Fogelberg. First mark, as plateworker, in partnership with William Frisbee 1792. Second mark alone 1793. 3rd mark 1793. 4th mark 1794. 5th mark 1799. Subsequent 6th - 12th marks entered 1807-1834. By the beginning of the nineteenth century, established as one of London’s top silversmiths, he was producing commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop, however Rundell, Bridge & Rundell were appointed Goldsmith in Ordinary to George III in 1804, and through them his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed II and later John Flaxman II. Rundell, Bridge & Rundell’s reputation grew due to the subsequent patronage of the Prince Regent (later George IV). Storr left RUNDELL, BRIDGE & RUNDELL in 1819 and went into partnership with John Mortimer, the assistant of a retiring retail goldsmith and jeweller, WILLIAM GRAY, of 13 New Bond Street. The firm was renamed STORR & MORTIMER and Storr concentrated on the manufacture of goods for Mortimer to sell in the shop at 13 New Bond Street. Storr and Mortimer, now manufacturing and retail goldsmiths, jewellers and silversmiths with an influential clientele, moved to 156, New Bond Street, in 1838. Storr retired to Tooting in 1839 and died in 1844.

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