Arthur Annesley
Arthur Annesley, an intriguing 18th century London silver maker. No record of Annesley’s apprenticeship or freedom. Only recorded maker’s mark was entered as largeworker on 23 March 1758; four years later – bankrupt. No other record of silver bearing mark. He subsequently worked in Rotterdam.
His unique and highly original condiment set is on display in the V & A museum, London. Based on John Linnell’s design, published in A New Book of Ornaments Useful for Silver-Smith’s etc by Gabriel Smith (1724-1783), the form and decoration of the vases demonstrate a highly imaginative interpretation of the Rococo style. A combination of Chinoiserie and naturalism in the pagoda-shape covers and applied plant and animal ornament. This set is the only known 18th-century silver to use Linnell’s designs, although a coffee pot in the V&A (museum no. M.18-1981) made nearly 100 years later by Robert Garrard is after a Linnell design.
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Arthur Annesley
Arthur Annesley, an intriguing 18th century London silver maker. No record of Annesley’s apprenticeship or freedom. Only recorded maker’s mark was entered as largeworker on 23 March 1758; four years later – bankrupt. No other record of silver bearing mark. He subsequently worked in Rotterdam.
His unique and highly original condiment set is on display in the V & A museum, London. Based on John Linnell’s design, published in A New Book of Ornaments Useful for Silver-Smith’s etc by Gabriel Smith (1724-1783), the form and decoration of the vases demonstrate a highly imaginative interpretation of the Rococo style. A combination of Chinoiserie and naturalism in the pagoda-shape covers and applied plant and animal ornament. This set is the only known 18th-century silver to use Linnell’s designs, although a coffee pot in the V&A (museum no. M.18-1981) made nearly 100 years later by Robert Garrard is after a Linnell design.
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