Description

A splendid antique silver drinks flask in the form of a standing bear with outstretched paws. Excellent quality and heavy gauge cast silver. Very pleasing design with lifelike detail in the face and all-over chased fur. The head is removable so that the body can be used as a decanter and the head as a cup; it pours beautifully. The interior is gilded.

Contains 1 litre.
Weight 1407 grams, 45.2 troy ounces.
Height 24.5cm. Width between the paws 13.5cm.
German Hanau silver marks.
Probably Neresheimer.
Circa 1900.

Marks. Stamped on the collar of the bear’s head with the German silver marks “crown and moon”, 800 silver purity (800/1000), and maker’s mark, probably Neresheimer, Hanau.

Literature. The offering of a “welcome cup,“ of wine to a guest was a long established tradition throughout Europe, and resulted by the late 16th century in the creation of imaginative animal-form drinking cups with detachable heads. The surviving cups from this period, formed as stags, owls, horses, dogs, and other creatures, comprise some of the most attractive, amusing, and desirable objects ever made in silver or, more usually, silver-gilt. Vessels in the form of game most likely graced the treasuries of princely hunting-lodges, while some of the animals represented those used in the coats-of-arms of a family or the symbols of a guild or corporation. Other cups, such as the horse-form examples, may have been prizes for competitions. Whatever their initial purpose, animal-form cups remain some of the most enchanting links with a vanished age.

This lovely model bear is in very good condition.

Maker: B Neresheimer & Sohnes

B. Neresheimer & Sohne, Hanau, Germany are probably the best well known of the Hanoi silversmith firms operating around the turn of the 19th century. The antique silver industry of Hanau specialised in excellent copies of old master silversmiths’ work, particularly Nuremberg pieces, double lady cups, old goblets, snuff boxes and so on. These copies were marked with fantasy marks, somewhat resembling old marks, which also harmonized with the style of the piece. For example, French rococo style reproductions are marked with French looking marks, German seventeenth century-inspired pieces got German-looking marks, and so on. These marks were usually in a style reminiscent of seventeenth and eighteenth century maker's marks.

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