Description

A delightful antique silver tea box of plain cubic design with a flat hinged lid. The cannister form has very pleasing geometric lines. The top is charmingly decorated with a hand engraved border with shell corners, the finial is modelled as a pineapple. To the front is a snap lock mechanism (key available) and a hand engraved crest. An attractive feature is the fitted mahogany wooden box with colourful inlaid bands to the edges.

Weight 303g, 9.7 troy oz.
Height 12cm. Length 8.9cm. Width 8.9cm.
London circa 1770.
Maker Parker & Wakelin.
Sterling silver.

Marks. Stamped underneath three times with maker’s mark only for John Parker I and Edward Wakelin, lid unmarked. This maker’s mark was registered in circa 1758-1761. Parker and Wakelin retired in 1777.

Literature. A Tea Caddy is a box, jar, canister, or other receptacle used to store tea. The word is believed to be derived from “catty”, the Chinese pound, equal to about a pound and a third avoirdupois. The earliest examples that came to Europe were Chinese tea canisters in blue and white porcelain with china lids or stoppers. Some of the earliest silver examples have sliding bases (or tops) and the cap was used for measuring the tea. By the mid eighteenth century matching sets were available, with two caddies (for green and black tea) and a sugar bowl, all fitted into a wooden or shagreen case, often with silver mounts. During the late 1700’s the locking silver tea caddy was introduced with its own key which the lady of the house kept on the chatelaine around her waist. Double locking tea caddies in silver are rare.

The silver box is in very good condition and shows small signs of wear in keeping with its age. The lock is in working condition (key available), the box locks automatically when the lid is shut. The wooden box is generally in good order with some veneer loss to the outside edges, the top has an old split, the carrying handle is made of either silver or old Sheffield plate (tarnished).

Maker: John Parker & Edward Wakelin

Edward Wakelin, apprenticed to John le Sage June 1730, free 1748. By 1747 he had joined the famous George Wickes at Panton Street, entered his first mark (2 sizes) which was almost indistinguishable from the mark of George Wickes, and during the period 1747-1760 Wakelin took virtual charge of the silver side of Wickes’ business. By 1752, Wickes was already making retirement plans although the formal date of the hand over to Wakelin, and his new partner, John Parker I was dated 1760. Wakelin, in partnership with John Parker I, entered a new mark circa 1758-1761 where Parker's initials appear above Wakelin's, suggesting that he became the senior partner at this point. John Parker I and Edward Wakelin retired in 1777 and the business was continued by John Wakelin, Edward's son, and William Taylor. Edward Wakelin was a man of extraordinary business acumen. He bought into an established business and possessed the ability to ensure its continued success. He employed talented, but mainly anonymous silversmiths at Panton Street, outsourcing what he was unable to make. Two of these highly skilled silversmiths were James Ansill and Stephen Gilbert, former apprentices of George Wickes, who never entered a mark while working for Parker and Wakelin, but in 1780 Stephen Gilbert entered a mark in partnership with Andrew Fogelberg that continued until 1793. It is highly probable that Sebastian and James Crespel learnt their trade under Edward Wakelin and there was a definite financial connection between the Crespels and Wakelin and Parker.

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