Description

A superb antique sterling silver wine jug with a shaped vase form on spreading pedestal foot. Fantastic quality from top to toe, just as you’d expect from this prestigious English master silversmith. With a cast decorative top finial, thick knotted handle, large applied vine leaves to the lower body and a heavy cast silver foot. Wrapped around the body are 2 bands of ornate gilt silver vine leaves and a curious feature is the lower band, which covers the silver hallmarks, but can be detached by unscrewing the central vine leaf. The inner lid and inside the jug also have the original gilt finish. Contains 1200 ml. Weight 969 grams, 31.1 troy ounces. Height 29 cms. Spread 18 cms. London 1829. Maker Paul Storr.

This superb antique silver jug is in excellent condition with no damage or restoration. With silver stamps inside the lid and on the body. Some of the gilt leaves are stamped with a lion and one leaf also has the King's head. Please note that this item is not new and will show moderate signs of wear commensurate with age. Reflections in the photograph may detract from the true representation of this item.

Maker: Paul Storr

Paul Storr (28 October 1770 – 18 March 1844 ), was one of the most talented silversmiths of the late Georgian period. Today his legacy of exceptionally well crafted silver can be found worldwide in museums and private collections. Son of Thomas Storr, a silver chaser, apprenticed 1785 to Andrew Fogelberg. First mark, as plateworker, in partnership with William Frisbee 1792. Second mark alone 1793. 3rd mark 1793. 4th mark 1794. 5th mark 1799. Subsequent 6th - 12th marks entered 1807-1834. By the beginning of the nineteenth century, established as one of London’s top silversmiths, he was producing commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop, however Rundell, Bridge & Rundell were appointed Goldsmith in Ordinary to George III in 1804, and through them his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed II and later John Flaxman II. Rundell, Bridge & Rundell’s reputation grew due to the subsequent patronage of the Prince Regent (later George IV). Storr left RUNDELL, BRIDGE & RUNDELL in 1819 and went into partnership with John Mortimer, the assistant of a retiring retail goldsmith and jeweller, WILLIAM GRAY, of 13 New Bond Street. The firm was renamed STORR & MORTIMER and Storr concentrated on the manufacture of goods for Mortimer to sell in the shop at 13 New Bond Street. Storr and Mortimer, now manufacturing and retail goldsmiths, jewellers and silversmiths with an influential clientele, moved to 156, New Bond Street, in 1838. Storr retired to Tooting in 1839 and died in 1844.

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