Description

A handsome antique silver cup of strong circular form raised on a pedestal foot. Fantastic quality as you’d expect by this prestigious English master silversmith. Broad decorative borders with a vine leaf decoration to the body. Original gilding to the interior. Substantial size and good gauge silver.

Contains 810ml.
Weight 673g, 21.6 troy oz.
Height 18.5cm. Diameter of top 13.6cm.
London 1820.
Maker Paul Storr.
Sterling silver.

Marks. Stamped on the body with a full set of English silver hallmarks.

Literature. Silver Wine Goblets were popular in England during the 17th century until they were superseded by glass drinking vessels in the late 1600s. Silver goblets made a comeback in the mid 18th century and have remained popular ever since. Church communion Chalices can be found dating back to as early as 1560. They sometimes have a cover which doubles as a paten.

This impressive silver chalice is in very good condition. The decoration is crisp. Good colour. The gilt has a good deep colour.

Maker: Paul Storr

Paul Storr (28 October 1770 – 18 March 1844 ), was one of the most talented silversmiths of the late Georgian period. Today his legacy of exceptionally well crafted silver can be found worldwide in museums and private collections. Son of Thomas Storr, a silver chaser, apprenticed 1785 to Andrew Fogelberg. First mark, as plateworker, in partnership with William Frisbee 1792. Second mark alone 1793. 3rd mark 1793. 4th mark 1794. 5th mark 1799. Subsequent 6th - 12th marks entered 1807-1834. By the beginning of the nineteenth century, established as one of London’s top silversmiths, he was producing commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop, however Rundell, Bridge & Rundell were appointed Goldsmith in Ordinary to George III in 1804, and through them his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed II and later John Flaxman II. Rundell, Bridge & Rundell’s reputation grew due to the subsequent patronage of the Prince Regent (later George IV). Storr left RUNDELL, BRIDGE & RUNDELL in 1819 and went into partnership with John Mortimer, the assistant of a retiring retail goldsmith and jeweller, WILLIAM GRAY, of 13 New Bond Street. The firm was renamed STORR & MORTIMER and Storr concentrated on the manufacture of goods for Mortimer to sell in the shop at 13 New Bond Street. Storr and Mortimer, now manufacturing and retail goldsmiths, jewellers and silversmiths with an influential clientele, moved to 156, New Bond Street, in 1838. Storr retired to Tooting in 1839 and died in 1844.

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