Georgian Silver Chamber Stick by Paul Storr
Maker: Paul Storr
A handsome antique sterling silver chamberstick with plain classic styling and gadroon borders. Excellent quality and good gauge silver as...
A handsome antique sterling silver chamberstick with plain classic styling and gadroon borders. Excellent quality and good gauge silver as you’d expect from this world famous English silversmith. The matching candle snuffer and nozzle are detachable. Weight 361 grams, 11.6 troy ounces. Height 10.5 cms. Spread 17.5 cms. Diameter 15 cms. London 1824. Maker Paul Storr.
Literature: Chambersticks first made an appearance in the 17th century and early examples are now very hard to find. Originally they were made in sets as a household would need many chambersticks. They were used for lighting the way to bed and because of the movement created when they were carried about they needed a large drip pan to catch the wax. The earliest examples have straight handles (first flat, then tubular) which were superceded in the first part of the 18th century by a ring handle. Gradually the design evolved and from the mid 18th century onwards they usually had a matching conical snuffer although from about 1790 onwards some were made with an aperture at the base of the stem to take a pair of scissor snuffers.
Signed/Inscribed: London 1824. Maker Paul Storr.
This superb silver candlestick is in very good condition with no damage or restoration. The pan, snuffer and candle nozzle have good matching and clear English silver marks. Please note that this item is not new and will show moderate signs of wear commensurate with age. Reflections in the photograph may detract from the true representation of this item.
Maker: Paul Storr
Paul Storr (28 October 1770 – 18 March 1844 ), was one of the most talented silversmiths of the late Georgian period. Today his legacy of exceptionally well crafted silver can be found worldwide in museums and private collections. Son of Thomas Storr, a silver chaser, apprenticed 1785 to Andrew Fogelberg. First mark, as plateworker, in partnership with William Frisbee 1792. Second mark alone 1793. 3rd mark 1793. 4th mark 1794. 5th mark 1799. Subsequent 6th - 12th marks entered 1807-1834. By the beginning of the nineteenth century, established as one of London’s top silversmiths, he was producing commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop, however Rundell, Bridge & Rundell were appointed Goldsmith in Ordinary to George III in 1804, and through them his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed II and later John Flaxman II. Rundell, Bridge & Rundell’s reputation grew due to the subsequent patronage of the Prince Regent (later George IV). Storr left RUNDELL, BRIDGE & RUNDELL in 1819 and went into partnership with John Mortimer, the assistant of a retiring retail goldsmith and jeweller, WILLIAM GRAY, of 13 New Bond Street. The firm was renamed STORR & MORTIMER and Storr concentrated on the manufacture of goods for Mortimer to sell in the shop at 13 New Bond Street. Storr and Mortimer, now manufacturing and retail goldsmiths, jewellers and silversmiths with an influential clientele, moved to 156, New Bond Street, in 1838. Storr retired to Tooting in 1839 and died in 1844.
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